Art as indicator of knowledge, which exposes itself with ‘vertraging’ (delay).

To my opinion the problem of discursivity, of ‘knowing’ art, (intellectual and physical understanding) lies in a further examining of the relation between the rational and the emotional, acknowledging the idea that immediate experience needs formal expression to be read. The possibility of generating information through art functions only though by way of resistance to immediate consumption. Thus: ‘research’. Talking about reading we imply a basic consensus about the norm of a linguistic form of communication and thereby the help of drawing signs which is ‘writing’.